Noah Hawley leaned into the 'Alien' franchise's retro-futurism when making 'Alien: Earth,' adding Peter Pan mythology and Easter eggs.

Set in 2120, it hinges on a batch of alien and various mutating specimens who crash-land on Earth in a research vessel that’s owned by one of five corporations that now rule during this Corporate Era — a chillingly plausible schematic.

From invasive eyes to a redesigned xenomorph, director Noah Hawley breaks down how the grotesque creatures of Alien: Earth were made.

Fans were promised a dark, cerebral extension of the Alien universe in Noah Hawley's Alien: Earth, which would include corporate fraud, xenomorph terror, and challenging philosophical issues about syn

For Hawley, overlaying Peter Pan onto Alien: Earth ‘s science fiction made sense because of the idea of trapping children’s minds in immortal bodies that were created, and ruled over, by a literal boy genius. Moreover, because Barrie’s work isn’t quite as anodyne and sweet as Disney’s animated film.

When Rob McElhenney hailed Noah Hawley as one of television’s greatest, it felt less like flattery and more like surrender. And perhaps it truly was the latter. The cinematic Alien universe made its first leap to the small screen this week with Alien: Earth,

As he swaps his cowboy hat for some frosty tips in the Noah Hawley series, the actor discusses the joy of revisiting work, discovering the "sweet spot" of fame and his love for former co-star Walton Goggins.

What’s the song that plays at the end of Alien: Earth Episode 1, just as Wendy and her friends are about to enter the wreckage on New Siam? That would be “The Mob Rules” by Black Sabbath. The song aptly opens with a warning to civilians that evil is on its way: