Tony Williams never liked the way George Coleman played, and the direction the band was moving in revolved around Tony. Tony wanted someone who was reaching for different things, like Ornette Coleman.
Award-winning filmmaker Stanley Nelson’s deep dive into the world of a beloved musical giant. Miles Davis: Birth of the Cool, which earned a Grammy nomination in the “Best Music Film” category, ...
Ahead of the centenary of Davis’s birth, musicians including Terence Blanchard and John Scofield analyse his brilliance: from his soft phrasing and spiritual feel to his raspy cussing and leather ...
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