A 1960s rock band released a version of The Supremes' "You Keep Me Hangin' On" that became a hit in the United States.

Diana Ross, Mary Wilson and Florence Ballard became Motown's ultimate crossover group by singing Holland-Dozier-Holland's songs. Their well-groomed, stylish image defined '60s female soul groups.

Many baby boomers identify Diana Ross as the svelte young woman from Detroit who, as lead singer of the Supremes, recorded 12 No. 1 songs in the 1960s.

The Supremes and other 1960s girl groups have some stories to tell The new book ‘But Will You Love Me Tomorrow?’ is a treasure trove for music fans, offering a window into life beyond the ...

These songs helped define the sound of the 1960s, blending soulful vocals, infectious melodies, and a polished, pop-infused production style that was uniquely Motown.

“ Come See About Me,” The Supremes, 1964 This was one of my favorites of their songs at the time — upbeat, fun and necessarily “unpolitical.” ...

Exploring the controversial content of The Supremes' 1968 Motown number-one 'Love Child', a track which tackled the topic of ...

Mary Wilson, with her strong, soulful voice, put her own stamp on the Supremes’ songs Saturday in Diamond Room.

Roslyn Pratt and fellow singers will be paying tribute to the greatness of the Motown era with a concert in Canton on Aug. 29 ...

Wilson, who died Feb. 8, began singing with Diana Ross and Florence Ballard in 1959. As the Supremes, they helped define Motown sound with a string of hits in the 1960s. Originally broadcast in 1986.